BORN ON A TINY ISLAND IN DENMARK AND RAISED BY THE MEDITERRANEAN SEA, I AM A PHOTOGRAPHER AND MULTIDISCIPLINARY ARTIST BASED IN BARCELONA. MY ARTISTIC PRACTICE REVOLVES AROUND THE CONCEPTS OF UNPREDICTABILITY, THE RANDOMNESS WITH WHICH WE OCCUPY A PLACE IN THE COSMOS, AND HOW CHANCE AFFECTS OUR EXISTENCE. IT RAISES QUESTIONS AROUND THE CORPOREAL AND THE TEMPORARY, IN ORDER TO REFLECT ON SOME OF THESE HUGE ENIGMAS OF LIFE. I HAVE BALANCED BETWEEN PHOTOGRAPHY, LITERATURE, SCULPTURE AND FILM SINCE 2001. CURIOSITY AND CONSTANT EXPERIMENTATION KEEP ME MOVING FORWARD
BREATHE IF YOU NEED TO / (ONGOING SERIES, 2024) I CREATE CONTEXTUALIZED IMAGES WITH
EXISTING,
ABANDONED OR TOSSED GRAPHIC MATERIAL FLOATING IN THE DIGITAL WORLD. AFTER COLLECTING
IMAGES FROM THE ENDLESS POOL OF THE WEB, I SELECT TINY FRAGMENTS AND REARRANGE THEM INTO
DIGITAL PHOTOMONTAGES. THE SMALL FRAGMENTS ARE MY COLOR PALETTE AND THE COMPOSITIONS
ARE INSPIRED BY ART HISTORIC CANVASES, WITH FOCUS ON THE HUMAN PHYSIQUE. ONLINE EPHEMERAL
SUBSTANCE AS SCULPTURAL MATTER TO THE OFFLINE WORLD, WE STILL BREATH IN.
CELESTIAL BODIES / (2 CHANNEL VIDEO. 1 MIN LOOP, 2023) ALEATORY COMPOSITION OF 400
SPHERES
EMULATING PRE-GENERATED COLORS FROM A GENERAL-PURPOSE PROGRAMMING LANGUAGE. INSPIRED
BY GOETHE’S COLOR WHEEL AND HIS IDEA THAT COLOR IS AN ACTIVE COMPONENT RATHER THAN A MERE
ABSENCE OF LIGHT, I AM INTERESTED IN THE THEORY THAT COLOR EXISTS INDEPENDENTLY OF LIGHT AND
OUR GAZE, BECAUSE IT SUGGESTS THAT THERE IS A WORLD OF LATENT PHENOMENA (AND OTHER
COLORS), WHETHER OR NOT WE CAN PERCEIVE OR SEE THEM.
CONSTELLATION MAPS / IS A SERIES OF EIGHT IMAGES WHERE I EXPLORE INTO THE VERY
MATERIALS
I WORK WITH (LIGHT, FABRIC, TEXTURE, CANVAS, VARNISH AND INK). I AM INSPIRED BY TWO SYSTEMS
OF
REFERENCE ESTABLISHED BY HUMANS TO UNDERSTAND NATURAL PHENOMENA AND CREATE AN ORDER
AS A WAY TO NAVIGATE, ASSORT AND CATEGORIZE; THE ASTRONOMICAL ORGANIZATION OF STARS AND
PLANETS IN GALAXIES AND CONSTELLATIONS, AND THE COLOR MODES CMYK/W/RGB.
TENER UN CUERPO (TO HAVE A BODY, ONGOING SERIES, 34 PHOTOGRAPHS, 2022-2024) / I AM
INTERESTED IN THE ACT OF BEING AND EXISTING FROM A TACTILE AND EXISTENTIAL STANDPOINT.
I DEPICT THE HUMAN BODY AS A CONTAINER OF EMOTIONS, IDEAS, STORIES BUT ALSO BONES AND
THE SKIN. I PLACE AN IMAGE OF A BODY OR A BONE AS A MEASURING STICK WITHIN A SET OF
HUMBLE MATERIALS SUCH AS PAINTED PINE WOOD SLATS, CARDBOARD AND PRINTED PAPER. I SET
IT IN VARIATIONS OF PERSPECTIVE AND SCALE, FIRSTLY TO TRICK THE EYE AND EXPLORE THE LIMITS
OF PERCEPTION, AND SECONDLY TO INVESTIGATE HOW WE FIT OUR BODIES INTO STRUCTURES
THAT CAN BEPHYSICAL AND, OVERALL, MENTAL. THE CONSTRUCTED INSTALLATION FUNCTIONS AS AN
EPHEMERAL COLLAGE THAT I IMMEDIATELY DISASSEMBLE AFTER THE SHOT, LEAVING THE PHOTOGRAPHIC
MEDIUM THE RESPONSIBILITY OF REGISTERING ITS EXISTENCE, A MOMENT THAT WILL NEVER EXIST
AGAIN.
TO BUILD UPON DUST / (28 PHOTOGRAPHS, 2021-2023)
WE ARE ALL TRANSITORY BEINGS AND OUR
BODIES, AS WELL AS THE MATERIAL WORLD AROUND US, ARE IN THE ETERNAL PROCESS OF RETURNING
TO
THE DUST WE CAME FROM. DAISETZ T.SUZUKI
CROMOSOMA CINCO / (BOOK, VIDEO SCULPTURES, PERFORMANCE & DOCUMENTARY FILM 2004-2024)
OUR ELDEST DAUGHTER WAS BORN WITH A RARE SYNDROME. DURING CONCEPTION, SOME OF THE
INFORMATION OF THE SHORT ARM OF HER CHROMOSOME 5 DISAPPEARED. THIS TINY LOSS OF GENETIC
MATERIAL, WHICH OCCURS BY CHANCE, TRIGGERS AN EXPLOSION OF EVENTS THAT DEEPLY IMPACTS
AND CONDITIONS OUR FAMILY UNIVERSE. BUILDING FROM INTIMATE DOCUMENTARY MATERIAL I SHAPE
STRUCTURES OF WHAT WAS EXPERIENCED AND FOUND; TERRIFYING MEMORIES AND FEAR, BUT ALSO HOPE.
FROM THE ACT OF CREATING I CAN NAME, EMBODY AND ILLUSTRATE A PALETTE OF EMOTIONS I HAD
NEVER FELT BEFORE, AND I HAVE BEEN ABLE TO EXPLORE THE QUALITIES OF ABYSMAL CRACKS AND
DIVE INTO THE NUANCES OF A NEW WAY OF UNDERSTANDING AND SEEING.
